Run Not From The Darkness …

black white faceRun not from the darkness … shield not your eyes from the light.  Embrace the darkness as well as the light.  For does the light not cast shadows?  And without the dark, how can we know light?  Both are one in the same … separate, but joined.

As left and right … as male and female … as up and down … as dark and light … Without one, the other can have no meaning.  As they are but two phases of the same energy, know that in darkness there is light … and in light, there is darkness.

Alchemy – Of Our Mercury which is the Green Lion Devouring the Sun …

There’s a famous alchemical work called the Rosary of the Philosopher’s, or Rosarium Philosophorum, which features 20 woodcut illustrations. They are very famous, having been printed and reprinted a number of times.

An English translation of the version printed in 1550 can be found here:
http://www.levity.com/alchemy/rosary1.html

It contains a number of quotes, real and otherwise, from earlier alchemists such as Geber, (pseudo-) Arnald of Villanova, Senior etc.

One of the illustrations is of a green lion eating the sun, which could be taken as meaning it is a substance which absorbs gold, indeed the translation says as much …

green-lion-eating-the-sun

“I am the true green and Golden Lion without cares,
In me all the secrets of the Philosophers are hidden.”

Now, this text is often taken as being one about spiritual alchemy. The problem with that is that that general approach (espeically with regards to claims by Jung and other esotericists) has been discredited as regarding the actual position of alchemy in Europe in the16th century and earlier.

Which leaves us with an interesting question – how can the green lion eat gold?

And one obvious assumption – that the text maps onto physical operations. I should point out straight away that a lot of medieval alchemy is simply the author re-writing previous authors, changing the emphasis of the words and concepts used and inventing or bringing to prominence different names which may or may not cover the same substance or concept. Which makes finding the way through the texts rather difficult.

In some medieval alchemical texts, gold is certainly consumed by mercury to form an amalgam on which further work is carried out. So if the green lion is a mercury compound then it can surely consume gold. If it is sulphuric acid, it cannot, but what it could do is react with other metals present and form strange compounds. And if the sun referred to is not specifically gold, but sulphur or suchlike, then you can still get some odd reactions taking place.

So, lets look at some other alchemical mentions of the Green Lion.

The Book of the Composition of Alchemy says at the end, in the exposition of kinds, that “The green lion is glass”, which is probably an error transposing Vitriol into Vitrum. I suspect that this is a later addition than the body of the text, which has probably undergone a lot of changes over the years. The core is an Arabic work, but I don’t know how far back the symbolism of the green lion goes; 9th century recipes attributed to Rhazi include the distillation of green vitriol to produce an acidic water.

By the early 14th century, in the Testamentum of pseudo-Lull, a water from green vitriol is to be joined to a metal. That and other mentions in that century prove that distillation of sulphuric acid was practised; the difficult bit is understanding what part it might have played in the alchemical recipes. There are other recipes from that century which include vitriol, saltpetre and mercury, the practise of which most likely gives some odd mercuric compounds with acids, such as the white mercury sulphide, or if salt is present as suggested by some, mercuric chloride, which is also white. I can’t think of any obvious way in which it could be tainted green, nor do the old chemistry textbooks help.
So that’s another set of experiments that I would like to do.

But by the 15th century in England, the green lion is, according to George Ripley, not actually vitriol, although fools think it is:

XVI. But of the Green Lyon of Fools, this we say, that from it with a strong fire is drawn Aquafortis, in the which, the aforesaid Philosophers’ Lyon of the Mineral Stone, ought to be Elixirated, and assumes its Name. Raymundus saith, it were better, or safer, to eat the Eyes of a Basilisk, than that Gold, which is made with the Fire against Nature.

XVII. And I say also, that the things from whence the same Aquafortis is drawn is green Vitriol and Azoth: i.e., Vitriol Natural, not Artificial, viz. the droppings of Copper, called also Roman Vitriol, Roman Gold, by many of the Philosophers, from the abundance of its noble Tincture, the which Tincture must be fermented with common Gold.

http://www.alchemywebsite.com/ripley_medulla.html

Leaving aside the question of what Ripley’s green lion might be, the problem is that distillation of vitriol produces sulphuric acid, a mineral acid not hitherto known for it’s effect upon gold. To dissolve gold need aqua regia, a mixture of hydrochloric and nitric acids.
Now some alchemical recipes will produce a mixture of nitric and sulphuric acid, and the Compound of Compounds, or at least the late/ post medieval version of it, has a recipe that produces sulphuric and nitric acid mixture and then you add Ammonium Chloride to give Chlorine ions in solution, which will certainly dissolve gold. But as with some other similar recipes, it doesn’t mention the green lion, which suggests that there are two paths, one calling green vitriol the green lion, the other not.

What may help clarify things is the question of the green lion is when this version of the Rosarium was written. There is a Rosarius attributed to Arnald of Villanova, and then there are other texts that are also tited “Rosarius” or similar. However the Arnaldian one is not the same as the 1550 one we are concerned with, according to this review by Michela Pereira:

http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=6666788

I note that mention of the Green lion is made in a section headed “The table of the Greater Science” and one attributed to “Morienus”, and the later section headed “Of our Mercury which is the Green lion devouring the sun”.

The problem is simply finding decent information about the Rosarius and similar texts, given how many there were and how alchemists did not hesitate to steal texts and re-write them. Thorndike’s History of Magic and experimental science, volume 3, page 55, mentions an anonymous Rosary from the 15th century and another that isn’t from the 14th. The list of alleged quotes from alchemists in this 1550 Rosarius is comprehensive, but does not seem to be newer than the early 14th century, but does include the likes of St Thomas Aquinas, who as far as I am aware didn’t really have his name attached to alchemical works until the Aurora Consurgens in the 15th century.

So if the text is really from the first half of the 16th century, that does happen to overlap when the Compound of Compounds was re-written to use acid to dissolve mercuric chloride. Having written that, it seems I’m a bit wrong – reading Principe “The secrets of Alchemy”, it seems that the 1550 version is based on the original later 14th century text, which acceptable enough given that was when the use of vitriol for acid manufacture was commonplace, and it’s use with mercury and the like.

In fact the more I think about it the more I wonder if the importance of the green lion has been overstated, based on the use of green vitriol in manufacturing mercurial compounds. You mix some white stuff, green stuff, and mercury, and get a whitish substance

Of course one can rarely be certain about reproducing alchemical practises from texts and possible recipes, which is irritating. It might be that there is no practical intention in the text at all. But then why the lion of green? After all, lions are important in medieval heraldry and bestiaries, as the king of beasts a lion would be a sensible choice to eat the king of the metals.

Maybe I don’t have the right kind of brain, but I read extracts from bestiaries such as this:

http://bestiary.ca/beasts/beast78.htm

and can’t see why the lion is so useful in alchemical symbolism.

As a conclusion, all I can say is that this requires further study.

Paracelsus – The Treasure of Treasures for Alchemists

RED-LIONTranscribed by Dusan Djordjevic Mileusnic Paracelsus his Aurora, & Treasure of the Philosophers. As also The Water-Stone of The Wise Men; Describing the matter of, and manner how to attain the universal Tincture. Faithfully Englished. And Published by J.H. Oxon. London, Printed for Giles Calvert, and are to be sold at the Black Spred Eagle, at the West end of Pauls, 1659.


The Treasure of Treasures for Alchemists.

By Philippus Theophrastus Bombast, Paracelsus the Great

NATURE begets a mineral in the bowels of the earth. There are two kinds of it, which are found in many districts of Europe. The best which has been offered to me, which also has been found genuine in experimentation, is externally in the figure of the greater world, and is in the eastern part of the sphere of the Sun. The other, in the Southern Star, is now in its first efflorescence. The bowels of the earth thrust this forth through its surface. It is found red in its first coagulation, and in it lie hid all the flowers and colours of the minerals. Much has been written about it by the philosophers, for it is of a cold and moist nature, and agrees with the element of water.

So far as relates to the knowledge of it and experiment with it, all the philosophers before me, though they have aimed at it with their missiles, have gone very wide of the mark. They believed that Mercury and Sulphur were the mother of all metals, never even dreaming of making mention meanwhile of a third; and yet when the water is separated from it by Spagyric Art the truth is plainly revealed, though it was unknown to Galen or to Avicenna. But if, for the sake of our excellent physicians, we had to describe only the name, the composition; the dissolution, and coagulation, as in the beginning of the world Nature proceeds with all growing things, a whole year would scarcely suffice me, and, in order to explain these things, not even the skins of numerous cows would be adequate.

Now, I assert that in this mineral are found three principles, which are Mercury, Sulphur, and the Mineral Water which has served to naturally coagulate it. Spagyric science is able to extract this last from its proper juice when it is not altogether matured, in the middle of the autumn, just like a pear from a tree. The tree potentially contains the pear. If the Celestial Stars and Nature agree , the tree first of all puts forth shoots in the month of March; then it thrusts out buds, and when these open the flower appears, and so on in due order until in autumn the pear grows ripe. So is it with the minerals. These are born, in like manner, in the bowels of the earth. Let the Alchemists who are seeking the Treasure of Treasures carefully note this. I will shew them the way, its beginning, its middle, and its end. In the following treatise I will describe the proper Water, the proper Sulphur, and the proper Balm thereof. By means of these three the resolution and composition are coagulated into one.

CONCERNING THE SULPHUR OF CINNABAR.Take mineral Cinnabar and prepare it in the following manner. Cook it with rain water in a stone vessel for three hours. Then purify it carefully, and dissolve it in Aqua Regis, which is composed of equal parts of vitriol, nitre, and sal ammoniac. Another formula is vitriol, saltpetre, alum, and common salt.

Distil this in an alembic. Pour it on again, and separate carefully the pure from the impure thus. Let it putrefy for a month in horse-dung; then separate the elements in the following manner. If it puts forth its sign1, commence the distillation by means of an alembic with a fire of the first degree. The water and the air will ascend; the fire and the earth will remain at the bottom. Afterwards join them again, and gradually treat with the ashes. So the water and the air will again ascend first, and afterwards the element of fire, which expert artists recognise. The earth will remain in the bottom of the vessel. This collect there. It is what many seek after and few find.

This dead earth in the reverberatory you will prepare according to the rules of Art, and afterwards add fire of the first degree for five days and nights. When these have elapsed you must apply the second degree for the same number of days and nights, and proceed according to Art with the material enclosed. At length you will find a volatile salt, like a thin alkali, containing in itself the Astrum of fire and earth2. Mix this with the two elements that have been preserved, the water and the earth. Again place it on the ashes for eight days and eight nights, and you will find that which has been neglected by many Artists. Separate this according to your experience, and according to the rules of the Spagyric Art, and you will have a white earth, from which its colour has been extracted. Join the element of fire and salt to the alkalised earth. Digest in a pelican to extract the essence. Then a new earth will be deposited, which put aside.

CONCERNING THE RED LION.Afterwards take the lion in the pelican which also is found [at] first, when you see its tincture, that is to say, the element of fire which stands above the water, the air, and the earth. Separate it from its deposit by trituration. Thus you will have the true aurum potabile3. Sweeten this with the alcohol of wine poured over it, and then distil in an alembic until you perceive no acidity to remain in the Aqua Regia.

This Oil of the Sun, enclosed in a retort hermetically sealed, you must place for elevation that it may be exalted and doubled in its degree. Then put the vessel, still closely shut, in a cool place. Thus it will not be dissolved, but coagulated. Place it again for elevation and coagulation, and repeat this three times. Thus will be produced the Tincture of the Sun, perfect in its degree. Keep this in its own place.

CONCERNING THE GREEN LION.Take the vitriol of Venus4, carefully prepared according to the rules of Spagyric Art; and add thereto the elements of water and air which you have reserved. Resolve, and set to putrefy for a month according to instructions. When the putrefaction is finished, you will behold the sign of the elements. Separate, and you will soon see two colours, namely, white and red. The red is above the white. The red tincture of the vitriol is so powerful that it reddens all white bodies, and whitens all red ones, which is wonderful.

Work upon this tincture by means of a retort, and you will perceive a blackness issue forth. Treat it again by means of the retort, repeating the operation until it comes out whitish. Go on, and do not despair of the work. Rectify until you find the true, clear Green Lion, which you will recognise by its great weight. You will see that it is heavy and large. This is the Tincture, transparent gold. You will see marvellous signs of this Green Lion, such as could be bought by no treasures of the Roman Leo. Happy he who has learnt how to find it and use it for a tincture!

This is the true and genuine Balsam5, the Balsam of the Heavenly Stars, suffering no bodies to decay, nor allowing leprosy, gout, or dropsy to take root. It is given in a dose of one grain, if it has been fermented with Sulphur of Gold.

Ah, Charles the German, where is your treasure? Where are your philosophers? Where your doctors? Where are your decocters of woods, who at least purge and relax? Is your heaven reversed? Have your stars wandered out of their course, and are they straying in another orbit, away from the line of limitation, since your eyes are smitten with blindness, as by a carbuncle, and other things making a show of ornament, beauty, and pomp? If your artists only knew that their prince Galen – they call none like him – was sticking in hell, from whence he has sent letters to me, they would make the sign of the cross upon themselves with a fox’s tail. In the same way your Avicenna sits in the vestibule of the infernal portal; and I have disputed with him about his aurum potabile, his Tincture of the Philosophers, his Quintessence, and Philosophers’ Stone, his Mithridatic, his Theriac, and all the rest. O, you hypocrites, who despise the truths taught you by a true physician, who is himself instructed by Nature, and is a son of God himself! Come, then, and listen, impostors who prevail only by the authority of your high positions! After my death, my disciples will burst forth and drag you to the light, and shall expose your dirty drugs, wherewith up to this time you have compassed the death of princes, and the most invincible magnates of the Christian world. Woe for your necks in the day of judgment! I know that the monarchy will be mine. Mine, too, will be the honour and glory. Not that I praise myself: Nature praises me. Of her I am born; her I follow. She knows me, and I know her. The light which is in her I have beheld in her; outside, too, I have proved the same in the figure of the microcosm, and found it in that universe.

But I must proceed with my design in order to satisfy my disciples to the full extent of their wish. I willingly do this for them, if only skilled in the light of Nature and thoroughly practised in astral matters, they finally become adepts in philosophy, which enables them to know the nature of every kind of water.

Take, then, of this liquid of the minerals which I have described, four parts by weight; of the Earth of red Sol two parts; of Sulphur of Sol one part. Put these together into a pelican, congelate, and dissolve them three times. Thus you will have the Tincture of the Alchemists. We have not here described its weight: but this is given in the book on Transmutations6.

So, now, he who has one to a thousand ounces of the Astrum Solis shall also tinge his own body of Sol.

If you have the Astrum of Mercury, in the same manner, you will tinge the whole body of common Mercury. If you have the Astrum of Venus you will, in like manner, tinge the whole body of Venus, and change it into the best metal. These facts have all been proved. The same must also be understood as to the Astra of the other planets, as Saturn, Jupiter, Mars, Luna, and the rest. For tinctures are also prepared from these: concerning which we now make no mention in this place, because we have already dwelt at sufficient length upon them in the book on the Nature of Things and in the Archidoxies. So, too, the first entity of metals and terrestrial minerals have been made, sufficiently clear for Alchemists to enable them to get the Alchemists’ Tincture.

This work, the Tincture of the Alchemists, need not be one of nine months; but quickly, and without any delay, you may go on by the Spaygric Art of the Alchemists, and, in the space of forty days, you can fix this alchemical substance, exalt it, putrefy it, ferment it, coagulate it into a stone, and produce the Alchemical Phoenix7. But it should be noted well that the Sulphur of Cinnabar becomes the Flying Eagle, whose wings fly away without wind, and carry the body of the phoenix to the nest of the parent, where it is nourished by the element of fire, and the young ones dig out its eyes: from whence there emerges a whiteness, divided in its sphere, into a sphere and life out of its own heart, by the balsam of its inward parts, according to the property of the cabalists.

HERE ENDS THE TREASURE OF THE ALCHEMISTS.


NOTES1 The Sign is nothing else than the mark left by an operation. The house constructed by the architect is the sign of his handicraft whereby his skill and art are determined. Thus the sign is the achievement itself. – De Colica.

2 The earth also has its Astrum, its course, its order, just as much as the Firmament, but peculiar to the element. So also there is an Astrum in the water, even as in the earth, and in like manner with air and fire. Consequently, the upper Astrum has the Astra of the elements for its medium and operates through them by an irresistible attraction. Through this operation of the superior and inferior Astra, all things are fecundated, and led on to their end. – Explicatio Totius Astronomiae. Without the Astra the elements cannot flourish. … In the Astrum of the earth all the celestial operations thrive. The Astrum itself is hidden, the bodies are manifest. … The motion of the earth is brought about by the Astrum of the earth. … There are four Astra in man (corresponding to those of the four elements), for he is the lesser world. – De Caducis, Par. II.

3 Aurum Potabile, that is, Potable Gold, Oil of Gold, and Quintessence of Gold, are distinguished thus. Aurum Potabile is gold rendered potable by intermixture with other substances, and with liquids. Oil of Gold is an oil extracted from the precious metal without the addition of anything. The Quintessence of Gold is the redness of gold extracted therefrom and separated from the body of the metal. – De Membris Contractis, Tract II., c. 2.

4 If copper be pounded and resolved without a corrosive, you have Vitriol. From this may be prepared the quintessence, oil, and liquor thereof. – De Morbis Tartareis. Cuprine Vitriol is Vitriol cooked with Copper. – De Morbis Vermium, Par. 6. Chalcanthum is present in Venus, and Venus can by separation be reduced into Chalcanthum. – Chirurgia Magna. Pars. III., Lib. IV.

5 There is, indeed, diffused through all things a Balsam created by God, without which putrefaction would immediately supervene. Thus in corpses which are anointed with Balsam we see that corruption is arrested and thus in the physical body we infer that there is a certain natural and congenital Balsam, in the absence of which the living and complete man would not be safe from putrefaction. Nothing removes the Balsam but death. But this kind differs from what is more commonly called Balsam, in that the one is conservative of the living, and the other of the dead. – Chirurgia Magna, Pt. II., Tract II., c 3. The confection of Balsam requires special knowledge of chemistry, and it was first discovered by the Alchemists. – Ibid., Pt. I., Tract II., c. 4.

6 It is difficult to identify the treatise to which reference is made here. It does not seem to be the seventh book concerning The Nature of Things, nor the ensuing tract on Cements. The general question of natural and artificial weight is discussed in theAurora of the Philosophers. No detached work on Transmutations has come down to us.

7 Know that the Phoenix is the soul of the Iliaster (that is, the first chaos of the matter of all things). … It is also the Iliastic soul in man. – Liber Azoth, S. V., Practica Lineae Vitae.

Daily Words of the Buddha for November 18, 2015

buddha_sunset_profileSace labhetha nipakaṃ sahāyaṃ
saddhiṃ caraṃ sādhuvihāridhīraṃ,
abhibhuyya sabbāni parissayāni,
careyya tenattamano satīmā.

If for company you find a wise and prudent friend
who leads a good life,
you should, overcoming all impediments,
keep their company joyously and mindfully.

Dhammapada 23.328

The Dhammapada: The Buddha’s Path of Wisdom,
translated from the Pali by Acharya Buddharakkhita

Make wishes on falling stars, Leonid meteor showers

Tara Greene www.taratarot.com's avatarTara Greene,Tarot,Astrology,Psychic

The Moon is in Aquarius. The Symbol of Aquarius in the Tarot is THE STAR #17.  

the star Tara Greene Tarot Astrology

The aspects are easy today.

Aquarius Moon trines Mars in Libra very early in the day. You’d think that your energy should feel lighter and more balanced. But Venus and then Mars has just crossed over the super-massive Black Hole, the SUPER GALACTIC CENTER, M87 which holds about 33 galaxies in place with it’s tremendously powerful gravitational pull. This degree is vast but marked as 2 degrees of Libra 16. It sucks up everything in sight and its needs are Karmic relationships.

The symbol of LIBRA is the scales of Ma’at’s JUSTICE # 8. we are in a #8 year.

Black Holes warp time and space. There may be a deep felt sense of DEJA VU. France has virtually just asked for the world to join it and start a world war against Islamic Terrorists…

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Neptune’s Influence On The Rise

Neptune

Tomorrow Neptune turns direct at 11:31 AM EST.  Neptune is the planet of illusions, dreams, escapism, and psychic energy.  When it goes retrograde, it gives us an opportunity to connect with our inner voice.  The vibe is dreamy + fluid in Pisces – you may have felt that way the last few months.  As it turns direct, it’s time to get out of our navel-gazing mode and do a reality check.  Any illusions that you may have been holding on to may evaporate, leaving you with greater clarity. In fact, if you’ve felt a bit foggy on any issue, you might just see the way forward emerging over the next few days.
On the 26th, pay close attention: Neptune will begin making a square to transiting Saturn and so begins a challenging aspect that will float around in the cosmos for the next year.  Got a dream? This is where the rubber meets the road. If you want to see results, you must do the work for Saturn gives nothing away without serious effort. Disappointments are possible, especially if you are being unrealistic about the effort needed.  Examine your goals carefully and be prepared to get to work, for real.
This aspect can also trigger addiction issues BUT it can help face the music and do a major turnaround.  If you or someone you know is engaging in addictive behavior (not just drugs, alcohol or codependent relationships but addictive mindsets such as fear of failure), this aspect could bring the reality check needed to begin working through the issue.  This is the right time to come clean.
Take responsibility for your work, your intuition, and your habits and you may find that your dreams can come true…with a little more effort.

Guided Meditation with Archangel Michael

Guided meditation to connect with Archangel Michael for healing and spiritual guidance specifically in the area of your divine life purpose.

The complete album (Discover Your Divine Life Purpose) can be downloaded on iTunes, Amazon, or on my website:http://www.annainwonderland.com/shop

Thank you for listening, and may this meditation serve you well on your magical journey of healing, creation, and joyful service to all.

With love and many blessings,
Anna

Keep the faith Neptune turns Direct

Tara Greene www.taratarot.com's avatarTara Greene,Tarot,Astrology,Psychic

The aftermath of the Paris terrorist attacks captured millions of peoples’ energies,mine included,  all day. I felt drained, and sad. Thousands of messages of hope were circulated. 

We are under a Capricorn Moon so stay grounded in your here and now reality.

It was a harsh Venus in Libra inconjcunct Neptune yesterday. 

The 15th is easier cosmic energy with mild sextiles to Neptune and Chiron in Pisces, we are still mourning. It is important to allow the mourning period. There were also killings in Lebanon, Baghdad and in Kenya. I send prayers to all the souls who have been senselessly killed by Terrorists whether they are real DAESH or manufactured by an ulterior motive secret government.  

A lunar Venus in Libra square helps us to remember to stay balanced in our outlooks.

Moon conjuncts Pluto tonight

There will be power struggles. 

The big news of the next few days…

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RITUAL S-2 (modified) ~ RITUAL FOR THE PEOPLE OF FRANCE

Step 1

(Find a comfortable place to sit, where you can close your eyes for a few minutes and probably not be disturbed. As you take several deep breaths, utilizing the four-fold breath, recall the experience of standing as the Blessed Mother between the Seven Angels, and all becoming One where you stand, then rise within the light blue column of Light.)

 

Step 2

(Visualize the horizon in all directions around you, with nothing obstructing the view of the horizon. The color or type of ground is up to you, as well as the sky and the time of day. The important thing is that you are absolutely certain that you are alone there.)

 

Step 3

 (Connect with the Earth beneath you. Feel the pull of gravity on your physical body, and the solidity and largeness of it. Let your breath be the air that circulates throughout the world, let your heartbeat and all the moisture in your body be at One with the oceans and the clouds and the rivers.)

 

Step 4

(Internally vibrate the names ADONAI HA ARETZ, AURIEL, and PHORLAKH, then visualize the army of all of the good Angels of Earth in a great circle surrounding you, facing outward. Allow the ground beneath you to fade, revealing FRANCE beneath you, and see the Angels take their positions at the edges of the land.)

 

(sign of silence)